Terror, turbulence and violence provides the backdrop for Francis Poulenc’s powerful opera of faith, bravery and redemption. Blanche de la Force, the timid daughter of an aristocrat, joins the Carmelite order of nuns against the wishes of her family. Whilst living at the convent she befriends one of the young nuns, Constance, who shares an astounding prophecy.

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Orpha Phelan’s new production, with its starkly beautiful staging, combines modern and minimalist set designs with intense and atmospheric lighting. Poulenc’s radiant and exhilarating score draws on the colourful resources of a large orchestra, a full chorus, a semi-chorus and a large number of soloists. It promises to be another wonderful showcase for the RNCM.

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Based on a true story, Dialogues des Carmélites is a series of intimate conversations existing independently across the scenes and is considered to be one of the operatic masterpieces of the 20th century. The audience is, in effect, eavesdropping. The intricate and detailed story gradually unfolds and culminates in one of opera’s most devastating and dramatic final scenes, as the Carmelite nuns embrace martyrdom whilst singing a transcendent and heart-wrenching setting of Salve Regina.

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Although the turmoil of political upheaval and bloodshed remains at the heart of this opera, this is predominantly a story about women – their fears, their faith and their relationships. Poulenc did not write music for nuns, but for women who happen to be nuns. Each of the major characters are brought to life musically and dramatically in a unique way – as human beings with true emotions and fears, each searching for the courage to face their own future and destiny.

It is ultimately an opera about redemption and positivity, about finding one’s inner strength and one’s voice. What intrigues us about Blanche is not her vocation, but the character herself. How does a nervous and frightened young woman find the strength and courage to face the brutality of death with such commitment, honesty and humility?

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This production will be sung in French with surtitles.

The running time is 155 mins including an interval and 10 min comfort break.